Category : Music and Digitized Voice
Archive   : MIDI11.ZIP
Filename : MIDIEDIT.HLP

 
Output of file : MIDIEDIT.HLP contained in archive : MIDI11.ZIP
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B°R‚±€€‚€‚‚‚ÿ±KM^—KM“ksMof 
6s in a ´7³_a s½5sO Aí6s in ¯{a sMin '½{ƒsMto 5æ³3‰É6s in track:Q>ÉQ14€€²JBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ 3F64*4Š64iƒQi' €€ºJ
B°R‚±€‚ÿËks“carried p, a ½of 4 to 16, #a 5sof 1, ])ê:Q>iQ14€€²JBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ 3F64*1Š64czQc-,€€ÂJ
B°R‚±€á0‰‚ÿÎthe 7/ïa …“•‘È “cbe Õto 遴)c)!†68±S[^Q\)]6>€€ÂJ
B°R‚±€€‚€‚‚á0‰‚ÿ±žWÇWžWS[^—S[“is Õto ×
6s in a ½ea ´6, ,y of Sending ¢. Ÿ£)›is if a Ring ›of is Fd ‡an 7#a ›of be Ù ¡“A#6s outside of Fd ›¼. ŸRing  end of ½A{ƒRing £l.Îthe 7/ïa …“•‘È “cbe Õto 遴)])!479±­Ÿ^ Ø) 6>€€ÂJ
B°R‚±€€‚€‚‚á0‰‚ÿ±­Ÿ^—­Ÿ“is Õto ×ií6s ea ´6, is Õto  7Ês )to be Öd eµ dn 7fs an "x" to be õin yT, g#6s of “Ëto be Öd e´Îthe 7/ïa …“•‘È “cbe Õto 遴) )!A8:±­M^)7@€€ÂJ
B°R‚±€€‚€‚‚‚á0‰‚ÿ±­M^—­M“is Õto ×
í6s in a s½ea ´6, is Õto  ½of sQto Ö. A6s #a sMin Fd ½be ØNon í6s eas w›+6s never be ØÎthe 7/ïa …“•‘È “cbe Õto 遯to Ámæ''! 9;±Ó^Ÿq'Ÿ`’€€²J
B°R‚±€€‚€‡€‚‚€€‚€€‚€€‚€€‚€€á@‰‚ÿ±Ó^—±Ó“is Õto oŸïa ³as as óÛ¯ž.—]is a Ûof fields cbe ified á“–Track  is +is /to µ Ûõin íÕto Œfy ¯in ëTes ûin RÖrument is +of Ëof ­Õin µ Ûõin íûin R°ce to L is Õto ^ce 
6s in ¯to be son a 1íu —^ced sis Aûin Q 9is ú.Mute ° is Õto mute a ¯ . —muted [of a ¯is Aú.×;by is a ¶ty to be ûto ïof 
í On 6s. ¡is YÕto ±÷of J. ments )mby /)a 3ç ×ments )Aú, ‰Track ¶ “cbe Õto a ‰ïment.ŽŸ):F€€²J
B°R‚±€€á?‰‚€€‚‚‚‚ÿSemitones to ¸e is Õto ¿¯ . ¿s cbe Ô. —¿is Aú. ]Track ¸e “_a ‰¿–ÓDisplayedÊll 6s in ¯Son õír, sMis ô. If }]sis ׁ
"MIDI Ÿon Multiple Ls" is õª. If ‰)no í6s in ³
"No íž" is ô.—total ¯›Ñis ô, #Mof 6s in ¯Mof `s àd to hold ´—ýMof simultaneous À[_^™[K)on at #given ›is ô. If a]@e is on at a 
is "Monophonic µ If no @e 6s )cin ¯
be "No 
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B°R‚±€á`‰‚á`‰‚ÿ—½of @e 6s is ô. ¡is YÛ ··Qíæs. —@e ½is )by S@e +decimal í@e O —UMõcbe á6 –Ëí?K7Rs in ³
}Mbe ô. If  e )×a 
indicate “as . —}?cbe á6 –++!ì:<Track ù^ÁH+Á5<€€ÂJ
B°R‚±€€‚€‚á0‰‚ÿTrack ù^—Track ù“is Õto Že ­of É·¹_ A6s eS·)Œd ¹á³in 'j.uaá¯is l, ‘È “適­of á´-Á-!Î;=Track @e ^~-02€€ºJ
B°R‚±€€‚€‚‚‚ÿTrack @e ^—Track @e “is Õto nly alter ¥of 
6s in a ´—Ring ›_
6s in ¯be so Son a ›is an 5 e of 'ž—@e Ócbe ¶sed if Þ. —• e actions cbe ƒon @e Ó(:ŒƒŒAT€€²JBR‚±€ƒ€€ƒ‚ƒ€€ƒ‚ƒ€€ƒƒ‚ÿÆdo A#@e Ò>¶se @e ÒEqual
Óto ¶sation š̌..€€ºJ
B°R‚±€á0‰‚‚ÿÎthe 7/ïa …“•‘È “cbe Õto 遯to Ámæ³3¯§\:f\f7@€€²JBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ3F64$3Š65",3¤40uafu38€€ºJ
B°R‚±€€€€€‚ÿ@ation #ÓÆ a £Interval of 60 (eighth note) ¬duce:f\uf7@€€²JBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ 3F64*3Š65"23¤40A+fA-,€€ºJ
B°R‚±€€€‚ÿçÓ>, ë)be:f\Af7@€€²JBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ 3F64*3Š6523¤40D,fD-,€€ºJ
B°R‚±€€€‚ÿçÓEqual, í¯is:f\Df7@€€ÂJBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ3F64$3Š65,3¤40+f+!æ<>Track Q^—Õ+£26€€ºJ
B°R‚±€€‚€‚‚‚‚‚ÿTrack Q^—Q“is Õto ï]or ¸s of a of a ´6, is Õto \g‡g\g a ½to »d, a Ring ›_Y»Mof £to ».A6s in C½)¸d. —£Fd )›is if an 7Yat ]of boundary £‡it be ˜d in º.—Ring ›'is ›"from" ›is ÷to. Û}]»of is è, Ring ›_5»is ©Ring ›plus Ñof C¼.³om¯§\:f\£f7@€€²JBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ 3F64*3Š65"23¤40ufu' €€ºJ
B°R‚±€‚ÿË»ýé#Ce2:00 to 3:00, #a Ring ›of 4:00 ɸs )è, ‡]¯ê:ÚÔuÚOp€€²JBR‚±€ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ƒƒƒƒƒ‚ÿ 3F64*3Š65"23¤404:000  On3Š65"4:060  On3¤405:000  On3Š65"5:060  On3¤40czÚc-,€€ÂJ
B°R‚±€á0‰‚ÿÎthe 7/ïa …“•‘È “cbe Õto 遴+c+!K=?Track ^ + Qt€€ÂJ
B°R‚±€€‚€‚€€‚€€‚€€‚€€‚á0‰‚ÿTrack ^—Track “is Õto Ma ¯¹]or ¹ ›)four íþs a ¯cbe L.L: Fs 
s¯%a¥6s on ]íu If C¯«;6s eas a wj, an þal ¯be Âd _‹;6s.š: 
í7Ëbe M¹a µ ±¨ance a ¯©@e 6s ±o)be M¹É¸Individual 
: 
s¯a¥]G6s. ¡)«be Õ ·a 9e]çto  . ¡in ll Ãa ÍMof ¸At: ‡a Mat a Fd I —C¯be M¹É¸uaC¯is l, ‘È “a適­of ¿ —M·'‡be ñØ- -!0>@Track ¸e ^aó-mDZ€€²J
B°R‚±€€‚€‚‚€€‚€€‚€€‚ÿTrack ¸e ^—Track ¸e “is Õto ¿
@e 6s in µ ›)ÉÊs of Às l.A  ¸ition is ƒby øing a Mof s to 
I ¡¾s to a kin Ã+of µ ¨transpose up ]T, /'¿12 s. ¨transpose ]T, Ó-12 ª.ÎKey Áis a special Ëof À,  ¯is d up or %qÃof µ ±Aif a QC ÿis d up ]¦, /get a C ÿeD to D.Û…an ÎKey À, /'%ÅÃof 9Mof ¦s to ¾. A Áof 7 ¦s is 1to a =¿of ]T.Suggestion: A 9-in a major Ãcbe µ¹a minor Ãby …an ÎKey ¿of -2 ¦smºmm, Zed by a =¿of 3 s.–ëm–4:€€ÂJ
B°R‚±€á:‰‚á0‰‚ÿ—±Ò “cbe Õto y¿a ¯_.Îthe 7/ïa …“•‘È “cbe Õto 遯to Ámæ+–+!?ÿÿTrack ·^w}+w..€€²J
B°R‚±€€‚€‚ÿTrack ·^—Track ·“is Õto »
6s in a ¯òording to formula:I'wI&€€²JJR‚±€‚ÿ5= ( ( old + ù) * mult ) / divÃIÃ&€€²JBR‚±€‚ÿÎother &ds, mÓyan ûto it (which ÿbe 2). —ëis  ied by a L, “ëis ød by !. —íåis ½xed to ensure it is â, “ëbecomes 5æmæÃm02€€ÂJ
B°R‚±€‚‚€€‚‚ÿ—7Óto be ºed cbe #of \:  Ö, Ý:, eJ, M:, )Ø, {’, Event ƒ£or  Length.¡“cdo 7very powerful to 3Ò, eas: ing ïof a ³4ly ing wof a 8, ¶sing 6s etc.Consider ]¬blem. ë{a ¯yíQ0 127 /ùto ¹½0 to 100. ëÀld ‹by øing -27 (multiply by 1, ùby 1), )¯ï7Ktoo soft. A Oÿ)be to ù4,  y by 100 ùby 127. ¡4ly remap ì.A -¬cess cbe Õto a ;v. If ‰)a few w6s, /might Wit to „. If ‰)a ÍMof w6s, /ùto speed up wby 5% as an C‡ù4,  y by 105 ùby 100.*m*!ÜÿÿBíThru Œ² *²..€€ÂJ
B°R‚±€€‚€‚ÿíThru Œ¡säs 
í6s Èd ). If “sis on 
í6s Èd by íw)to 
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B°R‚±€€‚€‚ÿí)ÙŒ¡säs 
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B°R†Aa€ƒƒ‚ÿEvent TypeOnOffÏ @ÏHb€€²JBR†Aa€ƒƒƒ‚ƒƒƒ‚ƒƒƒ‚ƒƒƒ‚ƒƒƒ‚ƒƒƒ‚ƒƒƒ‚ƒƒƒ‚ÿ0x8n OffÌÌ0x9n OnÌÌ0xAnÝ8ÌŽo0-63ÌŽo64-95ÌÌ0xCn"ÌÌ0xDnChnlPresÌŽ0xEn(WhlÌŽf‘Ïr' €€ÂJ
B°R‚±€‚ÿ¡sades  Î. —í¯°ler 6s ) ‘if )cin a ´šw x x'r'!vBDí¡ŒOO'O..€€ÂJ
B°R‚±€€‚€‚ÿí¡Œ¡sbe “in a kÖ.)O)!ÖCEíG£Œ­)­7@€€ÂJ
B°R‚±€€‚€‚‚‚áO‰‚ÿíG£Œ¡säs 
í‘åto or ignores íreal › s: ƒA), ‰C) cB).If sis [a í‰g•or Ïto ^.If sis [a íƒor ícgÏor ‘to R. a ƒor c
is Ž. í‘îs no distinction Qƒb.If “sis [Ring or Ëí‘up _gbut A÷S¿ —-f '«of a AO ہíƒor cis Èd, “kto =AÀnter. Ëí‰is ‡Èd, or Ë^.)­)!6DFíÙWŒ
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B°R‚±€€‚€‚‚áF‰‚ÿíÙWŒ¡sis Õ Cof 
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'!=EGíWŒº'<J€€ÂJ
B°R‚±€€‚€‚áO‰‚áE‰‚ÿíWŒ¡sis Õ an Oíéis to be Õas "master". ¡Oûé'í‰6s 24 £per @. ¡is Õto ±wof 
Îs s.ÛíVing is ×#w6s in 9)Ž. —w=in -f is Ž.Under =ÙV %be Ô.))!²FHíI»^‰x)‰8B€€ÂJ
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raw í6s ¹a [ Û“Ïis ^ped, ­of Yÿbe ûin a Qin an 9hex `. ¡_Qto be á=ors (such as 
Pad).Araw í6s )Íin X, E_íActive Sense 6s (FE). Ÿ)filtered.No ¥Ÿis kept  “Ϭcess, so ““is useless _Ï=@e 6s. It is «¯as a _ding í‘¡ s in a a ÿbe _k‘áígº –—ýof Ócbe ded #““is 64K. Îthe 7í‘is unable to keep up #Óas it arrives, a 
be )in ŸU&ing an tflow yRred. Overflow %AuÍ=~.)‰)!—GIíg»^Ÿã)«4:€€²J
B°R‚±€€‚€áG‰‚ÿíg»^¡“is Õto an 9hex Q}¦}qíœ. ly ¡9hex Q){EÂd áíIº •‡û_kÒ.… «…&€€²JB°‚±€‚ÿ—¡Qÿ¥comments blank Ùas àd to ïQÌstandable by humans. —]is an Aof a ãR'…'#€€t'°€‚ÿ;>'26€€t'€ƒ‚ƒ‚‚‚ƒ‚ƒ‚‚‚‚ƒ‚‚‚ÿ;—]û÷of a MT32 to 100;Comments )ea semicolon to end of Ö;;Blanks, Tabs New ã)Ž;UPPER lower case ) owed in hex PF0 41 10 16 12 10 00 16 64 76 F7;]Ús ©’f0 4110161210 0 166476 f7''!ˆHJíS^v‡'v..€€¾J
B°R‚±€€‚€‚ÿíS^¡“fs a íãto be transmitted on 
v. —ãis as Zs:¼›v¼4:€€t'€‚€ƒƒ‚ƒƒ‚ƒƒ‚ƒƒ‚ƒƒ‚ÿBx 7B 00;all K Bx 01 00;modulation to 4Bx 07 7F;volume to max (127)Bx 40 00;sustain pedal VEx 00 40;centre ‹/¼/' €€ÂJ
B°R‚±€‚ÿopR)/)!9Iÿÿí`e ^FÐ)F8B€€²J
B°R‚±€€‚€‚‚‚€‚€‚ÿí`e ^¡“is Õto Ÿí‘_won 3yæ. ë'do “G/cor Ê.—ëUõis Õto  µÇ?°rupt M_íadapter. At “point, í‘ajs a Uó(or šatible).
/{successfully žd í““Ÿis remembered in ïP, so /%a{to Ÿonce. —is zed ever í‘is T, to ïq3equipment yAEl.OyFirst—mUócame fixed at ]spot: ?ǝof 330H °rupt M)›no res or jumpers Àld be Õto k“- /had to Ítraces Ó3soldering iron. T's Åadapters ),, ýreally let /board around.zF†02€€²J
B°R‚±€‚€‚€‚‚ÿ±“reason, vast majority of æs #íœs {…¨alled at “Õä. Unless /Ë_iíéhad to be d, {yin ëW ¡¯&k ¼ly.`ing _Non-Standard ÖallationsIf /Ë3is, / 's ¥Ok. ÛOk is ¤ed, ébe zed (a ãis ‚), if 
is , éis žd.If /ýË3is, /{to resort to old trial error approach. ëctry ës until /W½_  푯detect an incorrectly ?ǝ, give / : "Configuration FŃ †œƒailed." If 3ç/hangs %giving /#û(big red sš), ‡?ǝis ¯½but °rupt Mis wrong. Try  #õ?ǝ!°rupt ND̆D/0€€ÂJ
B°R‚±€‚€‚‚‚‚‚ÿAs a Last ResortÎthe 7?Ç/)Ýis Ain ëT, /cñQïto ?. ïis ?cin 3C:\WINDOWS directory.›)É,ies in ï)Õto 偝of íè. Both 'be ½(and non-zero) _to &k.—,y "IOBase=???" «?Çof é- as a DECIMAL O ëc%3?Çhere. —,y "IRQ=" «°rupt O s%½°rupt Min here.Ûí‘Yup it {íélet /Ëif it îagrees #3s. If çhangs, /{¯žd _wrong °rupt NIf /had to Ó“to Ÿí“™me a @e telling me ï3up so 7guy A{to do õthing.'D'!ˆÿÿL{¥^aÿ'a14€€ÂJ
B°R‚±€€‚€‚‚‚‚ÿ{¥^¡“s Mof "ticks per @" Õin a ? ¡s resolution of a ;¤. Îstandard ›(4/4), Mof ˜s per Ais M/to a ¹H—;¡cbe or mat #Ÿ ہ¡is l, 
6s )to conform to 5 . A @e ýa ¹@e GSat õstill be a ¹HÛa EQis ”ed, or  /ßa Qe!r, /ÿget an error 
 /try to 9saying ¡is º. If “Rs, /¡to ]of éÝin {¥ëW If in doubt as to to z, try 120.—Õ¡is 120. —Uójs  s e48 to 192. —om s )÷°nally by í‘to ]of ‹ s. —=minimally òeptable ¡is 96.'a'!Kÿÿ{Ý^ç6'ç..€€ÂJ
B°R‚±€‚€‚‚‚‚ÿ{Ý^—{Ý“is Õto IÅ;Ã*. Currently aa 1Ã+cbe Õ_a 8, it cbe m"time.—Ã+is Õto å+of 
@e in Track å It is Õto 偍Œment of @e on Oin %W³if Ã+ýG (one  p), ‡*s of #òidentals )be mto reflect a  p Á}a flat (C# «of Db). Îthe %Wan F# )now be õas a =@e in grey Á}a @e in grey.¡“yno on "thing o}‡K)ô. Changing Ã+Ag·to be 7¾d.#ç#!ùÿÿN²/# @R€€¾J
B°R‚±€€‚€‡€‚‚‚áQ‰ƒ‚ÿ²¡is Õto ­of Åµ —¯6s )õin kŽka Û`, so 
6s in ¯cbe ôed in “Ÿ)
in ¯Ûby moving  =to ß6. —Ûcbe ed á=or =åing È.œœÌ7& 7-,€€²JBR‚±á€‰ƒ‚ÿr<ž7</0€€¾J
B°R‚±€‚á%‰ƒ‚ÿ˜ŽÄW•<W=L€€²JBR‚±á&€‰ƒ‚á&‰ƒ‚á'‰ƒ‚ÿ†\€b¯ýW¯38€€²J
B°R‚±€‚€‚€€ƒ‚ÿ±åAbbreviationsÎthe ¯Ûíìs )Õto depict ë7Ês. —]is a Ûof ìs Õ &, ƒí[`.’of 5w_8=$¯=*&€€²JBR‚±€€ƒ‚ÿ¢Sigkin ›*C$=C+(€€²J
B°R‚±€€ƒ‚ÿ Oní On 6: 0x9nÑãCÑJf€€ÂJBR‚±€€ƒ‚€€ƒ‚€€ƒ‚€€ƒ‚€€ƒ‚ÿKeyPresíÝ;(Key =­0xAnCtrlChgíeJ: "í?) J: 0xCnCnlPresíM;(After ­0xDnPtchWhlí)Ù(Bender): 0xEn#Ñ#!ÙMO&ìæ#ìG`€€¾J
B°R‚±€€‚€‡€‚áL‰‚‚‚áQ‰ƒ‚ÿ&¡is Õto ó­of Åµ —±@e 6s )õin a pal `, -to SQ%@ation "piano roll" B@e 7is )in a Q%Oas a Ò. —óŸof Óis ½åon N, Ûon {Ü. —GRing ›äs Sof Ò, width of Óis äd by Ñof I Accidentals (sharps flats) ))in a Œ.—cbe ed „ly á=or ÉÈ. If 7K)AKõCis too small, cbe resized so ÿbe n.œœÌ7&ì7-,€€²JBR‚±á€‰ƒ‚ÿr<ž7</0€€¾J
B°R‚±€‚á%‰ƒ‚ÿ˜ŽÄW•<W=L€€ÂJBR‚±á&€‰ƒ‚á&‰ƒ‚á'‰ƒ‚ÿ†\€bÂ'W'!`Nÿÿ-e⦻'²Lj€€¾J
B°R‚±€€‚€‡€‚áM‰áN‰‚‚áP‰ƒ‚ÿ-g●±is Õto Ëa ¯or ? It «ë³cbe Õto kHiour of 9as it is ”.ÝÏor •is in progress, 7™)îabled. ¡is /to protect integrity of 3Ò. Îaddition, ±ä %V [#9as it –. ëÿW“€ful  Åto å to ï3n.—볬cedures 9 á-e)gÜed in ]¬.CLnation =–d–=–of ².‡ã²‡Ml€€ÂJBR‚±á#€‰ƒ‚á"‰ƒ‚á&‰ƒ‚á&‰ƒ‚á%‰ƒ‚ÿ,ingÀJHow to Ëa 5´†\€ŽÄ#‡#!½ÿÿÿÿÿÿÿÿ.Æ#@R€€²J
B°R‚±€€‚€‚€‚€‚‚€‚€‚‚ÿ.—-gãis Õto a 8, Ëa µ It ¡of •groups of ², 
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measure. —Mof @s of initial delay is 'as Ànt in .—is aõ•or Î.—is Õto óÏ}(MIDI ±j) on 
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tr3*dae f‹ g²hÌ%V,V,:./:./|?/&;)i24y defined.Pÿÿ²ÿÿÿÿcopydeletemovingpaste bufferToolbarp help for first time users.HELP_COMMANDS'Information on a particular command.FHELP_PROCEDURES%Answers to "How do I..." questions. HELP_KEYS)List of various keys used in MIDI Edit.HELP_REGISTRATIONHow to Register MIDI EditHELPID_MIDI_CONFIG command for this.&HELPID_FILE_OPENF command through the menu, win_play_ctrlsà Window. All song playing and recording is done using this window. Start the Play Controls window by selecting it using the menu, pressing proc_playingš for how-to information.proc_openclose.
proc_seltrk for more information.iHELPID_TRACK_INFO+ command, or permanently using the Track HELPID_TRACK_CHGCHANNEL± command. Choose Change Channel from the Track menu, and complete the dialog. This will then change the channel number of all MIDI events in the track to the entered value.°win_track_listƒ- window. This window is opened using the
HELPID_FILE_SAVEÿ
command).ÿ menu_fileCreate, Load or Save files. menu_edit+Copy, Move or Delete tracks in the song.6
menu_track.#Perform changes on whole tracks.t menu_midiControl MIDI devices. menu_songEdit Song Parameters
menu_windowControl the windows.ÿmenu_optionsšCustomize MIDI Edit.ÿproc_copying_trackœ'How to copy the contents of a track.þproc_deleting_trackHow to delete a track.Vproc_moving_trackMoving a track in the song.proc_exitingFReturning to Windows.proc_recordingRecording a track.àproc_playing‰How to play the song.
proc_seltrkHow to select a track.proc_switchwinš'How to switch between active windows.proc_opencloseæStarting one of the windows.tproc_opencloseÜ!Destroying one of the windows.Žproc_sel_eventÿ!How to select an event to edit.proc_toolbarUse of the Toolbar.win_track_list%Open or Close the Track List windowwin_piano_rollI%Open or Close the Piano Roll windowwin_play_ctrls)/&;)Lzcti#define ÿÿW
Wÿÿÿÿ Help Index²Quick Start Commands‹ ProceduresaWindows KeysÌRegistrationëSpacebar1File Menu´Edit Menuu!Track Menu#MIDI Menu›%Song Menu¤&Windows Menu*Options MenuV,Copying a Track:.Deleting a Track/Moving a Track 0Exitingš1Recording5PlayingF7Selecting a Track¯8Switching Windows5;Opening and Closing Windowsr=Selecting an Event|?Using the ToolbarqDFile New CommandàEFile Open Command)GFile Save Command¯HFile Save As Command¾IFile Merge CommandÑKFile Import CommandòNFile Exit Command±OEdit Undo CommandÃPEdit Cut CommandËQEdit Copy Command„REdit Paste Command˜SEdit Clear CommandeTEdit Delete Command>UTrack Change Channel CommandžWTrack Clear Section Command$YTrack Filter Events CommandXZTrack Filter Channel Command™[Track Information Command¢aTrack Merge CommandŽbTrack Quantise Command\gTrack Replicate CommandBkTrack Split CommandmTrack Transpose Command½pTrack Transform CommandØtMIDI Thru Switch´uMIDI Pitch Wheel Switch xMIDI Exclusive Switch‚xMIDI Real Time SwitchXzMIDI Internal Clock SwitchŽ{MIDI Clock SwitchË|MIDI Capture Hex Command}MIDI Send Hex Command‚MIDI Reset CommandœƒMIDI Configure CommandՊSong Timebase Command]Song Key CommandkTrack List Windowd“Piano Roll Window=–Play Control Window˜Play Controls OverviewZEvent Menu'ŸEvent Edit Command¢ Event Insert Command$¢Event Delete Command&£Event Duration Commande¦Event Rest CommandÚ¨Event Chord Command«Event Whole Note Commandç«Event Half Note Command¯¬Event Quarter Note Commandƒ­Event Eighth CommandK®Event Sixteenth Note Command&¯Event Thirty-second Note Command°Options ROL Pitch Wheel”±Options ROL Save Patches³Options Preferences Commando¶Options Relative?¸Options Velocity Switch_¹Options Dashed Lines SwitchjºOptions Clef Switches2¼Options Sound Eventƒ½MIDI File FormatÝþd8Ýþd*7þ

  3 Responses to “Category : Music and Digitized Voice
Archive   : MIDI11.ZIP
Filename : MIDIEDIT.HLP

  1. Very nice! Thank you for this wonderful archive. I wonder why I found it only now. Long live the BBS file archives!

  2. This is so awesome! 😀 I’d be cool if you could download an entire archive of this at once, though.

  3. But one thing that puzzles me is the “mtswslnkmcjklsdlsbdmMICROSOFT” string. There is an article about it here. It is definitely worth a read: http://www.os2museum.com/wp/mtswslnk/